This was the entire collection of sasquatch sketches I did last year, over the course of 2018. Most of these were very rough sketches and very gesture driven just to experiment with different poses, creature anatomy, and habitat, and establish some basic light and shadow. I am considering taking my favorite ones or favorite aspects from this collection and doing refined versions of them.
This is day 3’s progress on “Ashitaka vs The Boar Demon” from my fantasy art, Studio Ghibli inspired drawing series. This might be my final touches but i focused on making the darks heavier and subtracted subtle lighting with an eraser. I added fidelity primarily to the boar including his mame. I also defined its tentacles and main body shape. I still wanted this one to have a rougher sketchier feel as compared to the previous cleaner more fine detail focused drawings from this same series.
More from my third Studio Ghibli inspired drawing, “Ashitaka vs the Boar Demon”. This drawing series is me taking scenes from the legendary animated movies and adding a dark, fantasy art twist to them. This movie “Princess Monanoke”, the first Ghibli movie I saw and my favorite is dark enough to stand on its own in a fantasy art sense, so I wanted to do a more rough, gesture, and sketch feel. If I don’t put this away and move on, I will add some fidelity to the demon but will primarily focus on the light and dark transitions via subtractive erasing and hard sketched lines.
This is day one’s progress on my new drawing of “Ashitaka vs the Boar Demon” from my Studio Ghibli with a dark fantasy art twist, collection. This is the opening scene from “Princess Mononoke” when the infected, demon possessed boars attacks the village and the young prince/warrior, Ashitaka is forced to defend his village and take the demon down with just his bow and arrows.
More progress on “No Face” from my newest collection of Studio Ghibli drawings with a dark, fantasy art twist.
This might be my final day for a bit on this one before moving on to the next one. Here I reinforced some shadows and added detail to the skin texture of the creature. Though many of these legendary animated films have a dark edge on their own, with this particular piece I wanted to take the spirit at its darkest moment when it had been luring the bathhouse workers with fake gold only to consume them in order to get closer to the protagonist, Sen. I wanted to capture the spirit in its angry, hideous form and to differentiate it from the way the movie depicted it, I emphasized a fleshy, oozing skin, almost alienlike.
I started on the second drawing from my Studio Ghibli with a dark, fantasy art twist, collection. This is day one’s progress on “No Face” from Spirited Away. This is the scene in which the spirit reveals his true self and explodes in menacing anger in order to get at Sin.
I may put this one away for awhile in order to get a fresh perspective on the finishing touches, but nevertheless this is progress from day 3 on my “Totoro” drawing from my Studio Ghibli series of drawing with a dark fantasy art twist. Here, I added darks and fidelity to everything along with subtractive eraser work to bring out the diffused lighting.